Tuesday, June 30, 2009

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The noodles ...
06/15/2009
Kiss e. .. Follow me on Twitter! (My choice)


16/06/2009
I'm more to laugh than to cry. 17/06/2009

The blog will appear on MTV, even if the Download! 06/18/2009 Fantastic're turning is Video Show.


06/19/2009 Tired of people trying to be funny or make a "cool" on Twitter
20/06/2009 Did I just get in the mood to cry watching presentation Jerk of the pre-school?

My Soup:





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twitteiro_pseudodepressivo









a news w / my joy morbid days / Tds the municipalities will have to ... libraries / humans need utopias.



sofia_lupin feel idem @ * laugh * subtle
I should kill myself [2] I'm morphing into a ultrarromântico m? Or am already * a * lol
"Do not bother to understand. Living surpasses all understanding. "Clarice Lispector But why insist kerer understand?
hj is actually one of my days dramaking. fact.
nv post on my blog / Sorrows, atrocities and antithesis /:
http://migre.me/3xBD

@ ally3 ok! bjs said p / aki he follow me in Twi.
I should kill myself # dramaking I feel like a leaf dropped from the tree in autumn pseudopoesia # # offset
@ jccool not, he still follows me ... ñ and why should I?
@ jccool what the meaning of fart?! lol he said that? high philosophical questions hauhauhaus
binge eating @ leo_noronha guess not.
famous never follow. fact. idiots insist.
need of solitude. paradox: I'm insensitive flawless.
This mantra of "kiss e. .. follow me on Twitter "enrages me. follow all the obvious, the ordinary? # Dramaking
@ bettyh act on impulse ... "death" caused by the distress caused by the denial ... * Will, poor rhyme * understand.
I'll be an underground man? anti-dogmatic and anti-rationalism? @ Bettyh s why you feel that way?
reading "Notes from Underground," dost. OMG, it defines me in some places: The psychology Dostoevsky =
hi, good morning to all. qr say ... not so good days as well. incommunicado? Will be overcome.
reviewed "The Silence of the Lambs." Disturbing, but something of a cathartic. xau and tea tomorrow.

_more_

Posted by admin at 12:22 PM 0 comments

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# 1
I, for one, found it absurd when that crazy said it was inspired only on the books of Jane Austen for their characters and the whole mood of romanticism. First, even if it is true many things disclosed by detractors or critics simply more daring - like you, hehe - Twilight Net over, then this woman did not understand the essence bulhufas " austeniana " or is finding hair in the egg, after all, the Elizabeth Bennet of Pride and Prejudice
is in no way a girl futile and only worried about being the ideal wife for their love / husband. Elizabeth Bennet is a real heroine, without idealization or Manichean fleeting, makes mistakes - including judgments, prejudices driven - acting for the reason most often - but EMOC ; OAS commotion also have space in your personality, obviously. As for selfishness, Liza there has his lapses, but nothing near what I've heard that Bella designed by Meyer.
And at least in the EPO have not seen any like this hero saint Edward Cullen, a vampire with no category (non-vampire vampire bites = no class), rs. In a way, albeit with a certain boldness and creativity in this new vampire design, Meyer shattered the image of leeches seductive, because it deprived him of his most visceral and ancient symbolism: the personifies ; the libido.
And how can someone write something about vampires without having read at least the masterpiece maximum, master Dracula Bram Stoker, OMG! A catastrophe!

# 2
've written some critical middle Net scattered all around, about twilight, but never something that was the realm of conjecture and "told me that .. .. " Do not read any Harry Potter book yet, so do not feel entitled to criticize it in a way supposedly conclusive, coherent or compelling arguments. I'm a fan of HP - and therefore already I was prejudiced against by many people, most of them never even touched a volume in the series - I am an intelligent person and real critical thinking, and I know I should not love or hate what you do not thoroughly understands, as it was Leonardo Da Vinci, and this extends to criticisms that claim to be well founded.
But from what I have already spoken, by critics in publications and Net apart from what I read, and Meyer's own testimony - that video but I did not know - I realized that far from Twilight has a depth and breadth HP: the polysemic richness, the psychological profile and track and humanist of most characters, messages and allegories, religiosity inserted in a subtle and not blatant or fundamentalist - the proposed HP is the extreme opposite - the libel miscigenaçãoe to individual freedoms contained, anti-bias approach, criticism of political and ideological content against state oppression and authoritarianism, even pedagogical approaches, etc.. It so much that HP provides us, either explicitly or implicitly, set there in an intelligent and questioning. HP is not clear that an exceptional literary work - has its inconsistencies, loose ends tied or bad, some characters and symbols have been underestimated by Jo, she has no baton to conduct affairs with great skill, etc.-do not have the density or an Dost Machadinho, and becomes a classic only time will tell, but is rather a rich work, which was decisive and important in the contemporary scene , grandiose, fantasy literature of high quality.




# 3 I know of men who liked the series, or at least the first book. (...) But the fact is that HP can mess with people of any age, gender and origin. Most fans today, for example, are adolescents and young adults - like me - they grew up following the series, and well know people mature in terms of age who love HP and have the same provision of a child to face a row of cinema debut, hehe.
As for loose ends tied or bad, I thought the height Ron was able to learn / imitate Parseltongue to get the tooth of the basilisk in Chamber of Secrets, only to be the most absurd. "Forçação" full bar!


# 4 Here's a pseudocrítica I posted on the blog of a colleague of mine about the series:
already criticized left and right that work literary / cinematic, but always, rationally, with the look of someone who only knows about the work, is well acquainted with his views and his plot, but never read or watched. Soon I leave some links to my criticism here.
Well, speaking quickly, Twilight is a series that tells the story of a human girl who falls for a vampire, or a super-cliche, exploited, and patched excavating in Hollywood. But of course it is often impossible to avoid certain cliches, sometimes because they are so also in real life, others by the appeal and fascination that it contains. Twilight falls into this second sense. And what makes up an innovative way, after all, the vampire is not a bloodthirsty devilishly seductive, that sooner or later it bites the girl and become one of them, but a guy "chaste" and " ; pure, nice, lol, that respects the human condition and how it wants to be a different vampire - is more or less so? He is much closer to a romantic hero with touches of Jane Austen - although admittedly not so abusively that compare with Austen, a leading British writers, whose "heroes" were nothing saints - or even Joseph of Alencar. And the young woman, Bella, also has touches of Elizabeth Bennet in Pride and Prejudice, a masterpiece that I've had the honor of reading. However, even if they publish the figures, it is significant that, unfavorable opinions - and even to people more versed in Literature I - there are a lot of deceptive advertising or wrong about it. I am told, Elizabeth has little or nothing to do with Bella from Twilight, this one girl vain, selfish and somewhat submissive, could even refuse to live their love without the other side to make their concessions. That is, submissive girl, conceived in some spots. And I know that the work is steeped in Christian moral concepts: they do not have sex, do not indulge the flesh, by refusing to bite her, Edward was symbolically denying "deflower ; it, " and even his own sin, you know? Pacts are as virginity until marriage, lol, recalling that the novelist is a Mormon. The apple on the cover of the book, according to the author herself, represents the fruit of knowledge of good and evil, the desire to have this knowledge and wanton them to prove themselves this fruit - as in myth of Adam Eve, repression by both the sex and the knowledge of this and / or the rebellious religious - and not exactly sex. Implicitly, there is an indictment with sexual repression. And many say that the work is Manichean, lacks the depth of Harry Potter. And so I say to yourself, after all I am a fan, and I know the capacity of Jo - JK Rowling, the author of HP - to develop personal stories compelling and complex, and contradictory characters and even ambiguous, good and evil within the human being, a humanist conception. Many writers and critics say quite literally be higher HP to Twilight. Names like Stephen King and Ray Bradbury admire HP, and this first repudiated Twilight in a recent interview.
[2]

And another: VAMPIRE = SEX. The vampire is a personification of both our repressed desires (refers to blood and sex, the bite penetraçãoe refers to the violent side of sex, etc.) and our aspiration to immortality (immortality but one in which we are still connected to the body and we can satisfy our carnal desires, the contrast between the immortality of the divine character).
# 5 (...) Pride and Prejudice, a masterpiece of Jane Austen. Based on what I wrote up one of replica

on the relationship Elizabeth (OEP) / Bella (Twilight). You'll see how that Meyer has about 10 screws less, lol. The idea that being bitten by a vampire turns into a really old made more sense - after all it was the beginning of the spread of the myth, and carrying the leech population was smaller, lol. But now I can not remember for sure if this is so even in
Dracula, or if already Stoker was designed to processing only the vampire drinking the blood by the victim - and if I remember it well in some mythologies, after all there are different conceptions about vampires, depending on the coun s / region.

And that sparkle vampire is ridiculous, as people do not realize? Without protruding fangs, then, even worse (yet another castration semiotics ultimately leads to the bestial nature of the vampire and the phallus). And they say the explanation found by Meyer to explain Bella's pregnancy is the height of the ridiculous and insulting the intelligence.




# 6
wanted to complete my thought, with some thoughts I recorded yesterday. Tava even thinking of these transcribe my coments on my blog post about a vampire or something. The bite of the vampire, it inflicts both pain and pleasure to the victim, refers to the awakening of sexuality and loss of virginity, a phenomenon characterized by dichotomy sensory. Ecstasy reached, caused by the bite, is analogous to the release of the libido of our sexual desires - and built a load of violence, both libido and aggression are the Our primary strengths and viscerally connected - repressed. The vampire is sex, eroticism in all its power, the trigger of what is latent in the knowledge that is denied - which is dangerous and that apples acepçãoa ã that tops the cover of Twilight is a symbolism properly inserted, the "forbidden fruit" of knowledge - the sin, the quest for eternal youth and immortality who do not deprive us of earthly delights - as opposed to the divine - The distance - but not really a denial - of God through the call of flesh and communication with the diabolical. Note that the figure of the traditional vampire and archaic, so I would even explicit, there are a number of metaphors and symbols connected to religious thought, especially Christian, highly repressive. However, in those countries where flourished the conceptions of traditional vampire, immortalized by Stoker, the predominant religion was Christian (Catholic or Orthodox). It is the fear of the cross and other Christian symbols, the suicide who turns into a vampire, the leech as a being cursed by God himself, and so on, just to stay in more superficial.

Posted by admin at 5:17 AM 0 comments

Thursday, June 11, 2009

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What do you know? 351 days

What is important? What is needed?

What needs to be done, if something needs to be done?
Where are we looking at, really? What we are losing as we worry about the wrong things?

What the ghost that haunts us?

What we're trying to prove, and for whom? Why are we so inconsistent? What assurances are those on which we raise so many promises, values and anxieties? Why not see the fish water? Why perpetuate many nonsense? Who's winning the game? Why do we continue to so many stupid things that, deep down, we know they are stupid?

Why the line that separates the true view of blindness is so thin and yet so thick?

Why is it so hard to be honest?

Why are we so afraid to understand how things really are?

Why do we fall so easily into mental constructs and rationalizations counterproductive? Why do we as addicted to the detriment of content? For all live either in search of buzzwords instead of answering things easily? Why do we need to follow instead of thinking?

What you know about me? What do you know about you?

How honest can you be? Can you see beyond the rhetorical constructions that repeat yourself every day?

No room for neutrality in the days today. Someone is paying the price for their lifestyle. Or you're paying for someone.
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