Unconfirmed reports from the 4th FAEPA w / the portfolio of optional UNIVERSITY OF THE STATE OF BAHIA - UNEB
DEPARTMENT OF EDUCATION - CAMPUS VIII
Education - Teaching and Management of Educational Processes
Teacher: Alfredo Rocha Paulo
Discipline: Research and Teaching Practice II
Student: Jorge Pereira de Carvalho Leberg
II ° Peri odo
MY IMPRESSIONS ON THE 4th FAEPA (INFORMAL REPORT # 1)
Source: my blog
Post written on 29/10/2009
soon as possible, because time is short, I'm sick and dead tired, not preached in the eye tonight of a workshop and a certificate of 30h). This is the strain of events that, while not free, I must participate, not only by the certificate so appealing (in fact, have already accumulated ACC 98H) but by the very nature of the event: art and culture with film screenings (long and short, including local production), rather than those promising talks stupefying we are accustomed to (?), workshops, debates by involving the participation of actor (s) of the movie Tariff (fancy huh?). I enrolled in the workshop of Roadmap for Movies, TV and video , all the more in tune with my interests and pseudotalentos, obviously.
(pseudo) briefly. At the opening this morning, the event has already proven itself, fulfilling almost every detail with the expected, earning praise, smiles satisfaçãoe enhanced minds - and therefore much more promising, which we will have the chance to prove Saturday night. We heard a lecture by Claudia Vasconcelos, Federal University of Bahia, on the subject (topic / subject of their research dissertation, if I remember correctly) "Being so Bahia: the place of the frontiersman in shaping identity Bahia. " Particularly, the wedge issue of identity baianidade x frontiersman is a subject which I call special attention, as emphatically as I understand many do not recognize themselves as Bahian hinterland, and as Savior and Reconcavo region monopolize an iconic image of Bahian culture reinforced by stereotypes such as the famous Bahian acarajé, the clerk of the board of candy, hot mulatto, music and joyful people above any predisposition to sadness . The speaker emphasized how the centuries of colonial oppression and the science of time proving the inferiority of black and mixed race in general - now obsolete theories, of course - led to prejudices and stereotypical images of Serta , which persist to this day, and that this creation-redemption-spread baianidade a supposedly inherent in Bahia was a kind of defense against it [the prejudices above], as well as a form of economic return to the good graces (just check how this self-publicity worked through tourism of Salvador, Bahia, while the interior has been overlooked in its rich human and cultural). Here could talk for hours about our identity hinterlands, I personally am very proud to bully (I identify more with a frontiersman than a baianidade african-Brazilian, indeed, perhaps because the northern Bahia we're even influenced by the country culture and Pernambuco, Specifically, I am reminded of birth Pernambuco).
later watched the film
Machine , John Hawk, accompanied by the distinguished presence of one of Hollywood's long, Fernanda Beling. Here we had a "problem": Because of daylight, sunlight that is reflected on the screen and consequently to smoke, it was necessary to transpose all the spectators media room that, despite its small size, has given shelter to all (I joking that some would have to sit on the shoulders of others, lol). Before any question, explain: I believe the film was scheduled to compulsorily morning because of Fernanda Beling that would travel immediately to SP in the evening to receive an award or promotion of a movie, can not remember for sure. [EDIT]
And guess what, the end of the film's showing and debate on the same assistant, with the right questions of some addressed both as Claudia Fernanda - well reduced due to the time - know what I got? Fernanda's autograph - and I think when it is well known, the Globe discovered, including almost let out this little joke that unhappy with her to break the ice, not how much will it cost? * Calculating * - and photos (after post the photos here and on my Orkut, I have to ask the first girl owns digital camera). The legal debate is that everything was so informal - despite well-formulated questions and answers well architected and fluent, of course - with a face so colloquium of open and almost spontaneous, it was not like we have a movie star in front of us, so close to us, but a woman like any other (in a good way, of course) . Even wished him a great career ahead of evolution, she was great in the movie, asked if it was the first time I came to Paulo Afonso (she is from Salvador), and really was, but she wishes sometimes come up and was eager to know about sights (or so it seemed) was delicious!
(...)
EDIT: My criticism of
Machine
(written in haste, hence the lack of cohesion're hurting in sight).
UNIVERSITY OF THE STATE OF BAHIA - UNEB DEPARTMENT OF EDUCATION - CAMPUS VIII Education - Teaching and Management of Educational Processes Teacher: Alfredo Rocha Paulo
Discipline: Research and Teaching Practice II
Student: Jorge Pereira de Carvalho Leberg
II ° Period
MY IMPRESSIONS ON THE 4th FAEPA (INFORMAL REPORT # 2)
Source: my blog
Post written on 03/11/2009 ;
Before you start with the most comments about the 4th FAEPA, this wonderful event that gave me so much knowledge, a load of unclouded intellectual (college) and emotional (family) of heavy recent days, cultural refinement, connect with interesting people from outside (especially El Salvador), including artists, I present you the banner, self-explanatory (the theme this year was, as you can give, film, TV and video):
I'll try to be as succinct as possible, after all desire to write about the entire event and still have other things to do today (including academics). Highlight key points, and what most impressed me during this event which marked the second my opinion and many others, have stood for the city's cultural history.
DAY 29/10/2009
Restarting from where I left off in the previous post. Afternoon activities took place in three workshops, nothing at all to me, since neither was the workshop for which I signed up. Neither went to college.
Night: exhibition of short films and discussion on the movie set of Paulo Afonso, the directions of audiovisual in our city (we have some guys who dares to produce short films, including managing a modest budget, but relatively significant). The trailer was shown a short film about the Bandit Cats, who spread terror in the region in the past - indeed, for those who do not know, Maria Bonita was in our town, her house is still standing, I think it saved as historic and cultural heritage - especially in the Raso da Catarina, will be released soon and was produced by NEC, the nucellus Experimental Film Paulo Afonso, garnering the support of sponsors, especially local businesses. Well, Paulo Afonso has a rich history and intriguing, which draws attention of all who get to study it, and impress tourists (well, we are not the "Energy Capital of the Northeast for nothing!). Too bad it did not find the movie trailer on YouTube , I believe that has not gone down there, maybe talk to Jackson (actor who plays the protagonist of the film's title) to use the site as a channel for dissemination, the next time you meet. Read more about the film, actually a kind of docudrama. "
.
Cavalcante Jackson is the featured bandit,
A short film that drew me closer attention ³ exhilarate and was the film Esc Men 2 (there first one and I did not know). I writhed with laughter with the work, or better, with this disaster, both the good and the bad sense. The performances are compelling, the production trash (although the digital effects are relatively efficient, as the claws of Solverine that really impressed me, after all it is worth remembering that we are in the interior Northeast and not in Hollywood with a subsidiary of IL & M right there on the side), the meager script and rambling, but the jokes - some good jackpots, clichezudas other but still work out - worth all the display ; Others What counts, after all, is really the intention, and the producers of this film (a group Fasete, a private college in the city and most important repository of those not vestiba can pass on the UNEB) was the, admittedly, entertaining the public without artistic pretensions. Also displayed was a piece of long Sound Silence
whose critique posted earlier here [on my blog]. Watch the short
2 Men Escape in full and videos Sound Silence
my YouTube. Too bad I missed the debate because I leaked a "quick fix" to the lab. Computer, mea culpa. DAY 30/11/2009 This was the best of the three days of any event, no doubt. Both the studio screenplay for film, TV and video regarding the display of the Father , ending a nearly party in view of so many photos and tietagens (including mine) with guest stars of the film. The day was just perfect (never thought I could talk about something that one day my class, right? Be surprised because, once again, me!). Even said that I was loose as never before, and I replied that I have many facets, and touched every groupie that day. Too bad it did not get autographs, but Fernanda Beling the day before was worth a lot.
The screenwriting workshop lasted the morning and afternoon (it was the longest because of the greater charge of activities and preparation required, I believe). Our teacher was the screenwriter and producer Salvadoran Ana Paula Guedes, bearing the written curriculum series for TVE (including animations), videos and commercials in social well scripted as produced by it, etc.. Well, the classes were excellent and relaxed, and Hannah showed how far is far too experienced with scripts and with production videos. We study the creation of characters, differences between film and TV scripts and their proper structuring, plots and subplots, description of scenes, etc.. She even showed us sites and books on screenwriting. Behold my works in the workshop, which was already autodemonstram as our creative process.
(...)
Night: Simply "The" best moment of the whole event! After the screening Movie the Father (who also loved it, but I have some minor criticisms, of course, today or tomorrow even put a "little note" about the long Do Underground
), began a round table with special guest actors in the cast. Four great actors of Teatro Olodum: Tania Toko (the bar owner, Neuzão), Luciana Souza (the hard-line evangelical Joan, the owner of the tenement), Edvan Carvalho (the Bahian shop owner, a whole mixed up, Lucy) and Lyu Arison (a transvestite Yolanda). It was great, including the first question directed at them was mine, about how the idea to record the show to the world (the little paper question, of course, or pher think I would have the courage to pick up a microphone? Without Mondays, please), which yielded critical Luciana explicit and implicit of the other actors concerned about the lack of social atmosphere and diluting the TV (which motivated the Globe indeed was the interest for different aesthetics of the film, keeping in mind that TV needs renovation, as well as significant attention to the box office film, obviously) and the ephemerality of fame and vanity alone, but rewarding when the result of an artistic work recognized and competent. And the speaker Claudia (who almost became a friend, soooo very intelligent and we made up a screenwriting workshop together in the afternoon shift) took his cue to criticize the stereotype of the mulatto and sexy slut who reinforced the television series, supported by actors who agreed with this aspect stereotyped more explicit and exploitative of sensuality / sexuality on TV, because of its higher IBOPE.
After the outcome of the round table and presentation of choral Earth Song (wended up a short chat with Luciana, who sat beside me to watch the coral, although in the left of the phatic function of language), took pictures left and right. And it was a catch-borrowed from friend's digital camera here, another over there, have my pictures of me scattered by some four or five cameras (two already I have, will post some still in their proper Orkut, and others send me e-mail). It is one of the consequences of being poor: to depend on others to take photos! Once I have some money left, urgency: buy a digital camera or mobile phone for at least a good resolution (I've had some financial opportunities to buy electronics / digital, the fact is who never gave a shit at this and would rather buy other items such as books, and is at times like these that I miss the said-whose). Tietagem general! Extroversion almost complete I won the day, despite any physical stress or conflict at home.
The next post will be on the last day, the lowest.
See photos on my Orkut
or my
FlickR
.
UNIVERSITY OF THE STATE OF BAHIA - UNEB DEPARTMENT OF EDUCATION - CAMPUS VIII Education - Teaching and Management of Educational Processes Teacher: Alfredo Rocha Paulo
Discipline: Research and Practice Pedagogical II
Student: Jorge Pereira de Carvalho Leberg
II ° Period
MY IMPRESSIONS ON THE 4th FAEPA (INFORMAL REPORT # 3)
Source: my blog
Post written on 03/11/2009 sites and books that our teacher Ana Paula Guedes workshop has recommended (in case some are interested in scripts, or even to enhance any form of writing):
http://www.portacurtas. com.br (bank video)
http://www.roteirodecinema.com.br
(stock routes, both domestic and foreign productions)
Books :
The Mad House - Rosa Montero (this is a very rare volume in Brazil, but you can find it easily in English e-book format) Art Poe ; practice - Aristotle
My Uncle Killed a Guy (screenplay) - Jorge Furtado
The Power of Climax - Luiz Carlos Maciel
Solving Problems
Screenplay - Syd Field
Creation to the Roadmap
- Doc Comparato
Strategies Drama
- Cleide Mendes Furtado
She will send materials by e-mail. If someone wants, they can contact me via email or via PM on LJ.
DAY 31/10/2009
the evening: The event started late as the ; at 20:00 due to a technical problem, properly to a delay on the sound equipment, I think. Still took more pictures with Arisson Lyu (they stayed in town until the end Festival, and so declared, and worshiped Paulo Afonso intend to come at other times). Me disbanded for the Center for Culture Lindinalva Cabral (a kind of pseudoteatro sediador and some academic and cultural events of our city) to watch part of my friend and college classmate
Nildo Spider
. Open space for a tour to (worse, after all who am I to emulate the master Machadinho?) Machado's style to talk about the play. The play in question is "The Library of Stolen Books" based on the homonymous work of Aristotle Lima Santana. Aristotle aka "Totinha" was my teacher of art history in the 3rd year of high school, but today we have a list of common fellowship, a "colezade," the second term I coined himself, without my obeisance before him - as would be customary in a relationship (ex-) teacher, (former) students. The tale of Aristotle is built by such statements of the stolen books, characters of the narrative (but surrealism stop there, because the hypocrisy and human afflictions fleshed out the books in his years of living with us strive for the realism). Some memories stand out for literally bookish wry humor, others for dryness and / or acidity of the arguments link the right stylistic clumsiness (or deliberate failure "but obviously there are some sentences that could be better stoned in this aspect), while works such as Mein Kampf (My Struggle ) of Adolf Hitler and the dictionary, for example, are characterized by a powdered speech, a little arrogant, and the first specifically for a cruel and tone (no humor) black, marked by indifference to life, turned out to humanity. Many of the criticisms of the books are directed at your thief, sr. Astrogildo Gonçalves from them in building an image nothing laudable goals, to the point where we ask what the hell we want this man with the books or read them (probably)?
Something that caught my attention was the section "(...) because I'm a fan of modesty leftist who is more proof of my superiority, "belonging to the testimony of the" Manifesto of the Communist Party, "along with a conviction of their own that everyone who" reads and understands " ; becomes communist. First, I thought it was an unintended irony, one more sign of the author's alter ego scattered throughout the text (we can also identify him through explicit or implicit criticism of the elites, corruption politics, religion, irony perpetrated by a Bible that says not "understand nothing of religion, despite being a religious book," Aristotle after all a communist and atheist no effort to hide his famous arrogance, lol), but talking to him, I said the irony of saying "Manifesto" was deliberate, which proves to be the author in the so indulgent with himself and his own modesty combined with a decline moral and ideological left today, despite what certain people - and myself, admittedly - suppose.
For even with a great material at hand, which could result in a theatrical adaptation interesting and even unexpected, given the format chosen to develop the part (a view combined with radio actors, in theory aesthetically daring), what we saw on stage was something (almost) insignificant. A play with no dynamism, semiapática, boring logo saying, roughly, actors (three in all, interpreting all the books of the tale in a sort of rotation, where the differentials that the (mis) characterized were just the makeup, costumes and walking), including Spider Nildo (although great actor of Theatre Street City), ever talk to one another or acting in a dynamic, genuinely not staged: only came on stage, they move redundantly for him as the narration of his testimony was given in to know through a loudspeaker simulating the proposed radio display.
They barely worked, there was no conversation between the books, and even in the narration
-off was nothing more than a purely spoken narration , voices little more than meaningless, the same music for each book according to its theme (and even the soundtrack was so embarrassing, to put the track "The Doors of Perception of Huxley, for example, had absolutely nothing to do with the work, unless someone suggests disregard those intermittent wheezing in a rough tune and symbolically the raptures of inspiration caused by the drug, KKKK) and no sound effects simulating what was reckoned to have envisaged that the best scenes and events suggested by the narration , establishing a dialogue with us, the viewers, as it should be an authentic emulation of radio drama, for example. However, it was not all darkness, under the "Mein Kampf" Hitler's character in the book gave us an indication of the scene, created an expectation for us to hide her face (but only got the clue) number and yielded good moments of reflection has not changed since almost nothing in the original text.
PS: I had access
"exclusive" to the text of Aristotle before the play. He also cast the tale in its second anthology that might be released probably next year.
Returning to the Festival in UNEB, missed performances of dance, exhibition of short films and debates (before the play was not attend, hmpf! but it was good to compare the two languages, and purported literary tale theater, and to honor Nildo and Aristotle) . But I still won the day with photos I took with the speaker Claudia Vasconcelos (we fit in so well and liked so much of the talk that it might be heresy not to provide this memory) and indeed ask for more material her about the subject frontiersman x baianidade by e-mail, those interested can also contact me. And a picture, a nightcap, with the photographer
Mark Cesario (still give a month on his site), owner of beautiful works, where, as deduced by him cards - each printed with one of his photographs, as is the assumed ; able - if somewhat betrays an obsession with portraying human loneliness. To top it off with gold, the band's performance Ramam, a style that I define as a mixture of rock and regional sounds (a la
Zombie Nation), with lyrics that offer reflection and social policy, my colleague Saul Herminio is one of the members of that ensemble, in fact resulting from the union of his band, hence Paulo Afonso, a São Raimundo Nonato, Piaui . (...)
